Vocabulary of Odissi

2 minute read Modified:

My argument is that dance can be seen through the lens of linguistics. It is nonetheless, composed of a vocabulary of poses and gestures that are codified within a set by masters to perform Abhinaya (acting) and tell stories similar to how a grammar and a vocabulary is used to write complicated sentences and paragraphs. For example, Odissi has the following hand gestures in its vocabulary Odissi Single Hand Mudras

The male and female dress of Odissi Dance – An comment on the Literature on the web

2 minute read Modified:

I was reading an article about Odissi and I found that the perpetuation of stereotypes do actually come into picture in the case of the content that is written on it. The following is a description of the Dress worn by the dancers: The female dancers wear brightly coloured sari usually made of local silk adorned with traditional and local designs such as the Bomkai Saree and the Sambalpuri Saree.

Was codification of Odissi successful in capturing the true essence of the dance as it was prevalent or even as it was performed​ ​in ​​the ​​ancient ​​era?

7 minute read Published:

The transfer of knowledge required for the continued existence of any performance art requires intense and deliberate training from both the Guru and the Shishya. Through codification and written text, the need to rely on this tradition to study the art form decreases but the difficulty to master increases due to standardization. In my study of the readings by Anita Cherian and the Odissi Renaissance along with my understanding of linguistics and language theory I wish to answer the question of how the codification of Odissi Dance, a performance art, has resulted in the birth of a modern classical dance form, far from what was probably performed by the ancients.